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cmiVFX : SpeedTree Introduction English | .MP4 | 313.16 MB
cmiVFX launches its latest training video for the digital foliage generation application called SpeedTree. SpeedTree, best known in the gaming industry for its real time geometry modeling tools, has busted into the film and television market as the premiere tool for the creation of digital foliage. While this program is still brand new for the Film and Broadcast industry, its tools have been used time and time again in gaming, allowing for a rich, mature feature set with the stability hard working professionals demand. SpeedTree is most recently noted as an indispensable tool used in the film Avatar.
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In this series of Maya tutorials, we will explore a number of techniques that we can use in Maya to help eliminate the flickering problems that we often encounter whenever rendering with Final Gather. This flickering is an extremely common problem that can be extremely difficult to fix. We will begin this course by exploring the mechanics of the final gather solution and explaining why this flickering is just a natural part of the final gathering process. From there, we will learn a number of ways in which we can start fixing the problem, using specialized final gather solutions for stationary objects in your scene, tips to avoid flickering when using image-based lighting, using specialized mental ray Production Shaders to help eliminate final gather flickering, and many additional tips and workflows to help you create flicker free final gather in Maya.
National Geographic - Maya Underworld: The Real Doomsday (2012) CONVERT 720p HDTV x264-MoTv Language: English 00:44:58 | 1280x720 | x264 - 3023Kbps | 25.000fps | AC3 - 384Kbps | 1.08GB Genre: Documentary
Venturing into vast underwater graveyards of Mayan human sacrifices in Mexico, journalist Diego Bunuel searches for new revelations about the infamous upcoming doomsday. Using groundbreaking National Geographic technology, Diego and a team of archaeologists will literally light up the abyss to explore these underwater tombs and gain key insight into why some believe the Maya may have predicted an impending apocalypse.
Creative Development: Compositing a Lunar Environment in After Effects CS6 and Maya 2103 English | AVC 1280x720 15 fps | AAC 188 Kbps 44.1 KHz | 1.95 GBRequired Software: After Effects CS6, Maya 2013, PFTrack 2011, Photoshop CS6
Keying and compositing will be done inside of Adobe After Effects, matchmoving in PFTrack 2011 with the recent node based workflow, texturing in Photoshop, and all 3D processes done in Autodesk Maya using mental ray. By the end of this training, you'll have the knowledge to take live action, green screen footage and composite it into a realistic 3D environment with a re-animated matchmoved camera.